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Baling Twine Paper Pulp

Summer 2013
Summer 2013
:
Volume
28
, Number
1
Article starts on page
11
.

Andrea Peterson is an artist and educator. She lives and creates work in northwest Indiana at Hook Pottery Paper, a studio and gallery co-owned with her husband. She combines paper arts, printmaking, and bookbinding to make works that address the human relationship to the environment.   Plant fibers, such as sisal, follow the underlying thread that is constant in my work: a local by-product, easily attainable, and no cost. Sisal, from the genus Agave grown in warm climates, is traditionally used for rope making. It comes to Indiana as baling twine because of its incredible strength when pulled taut around hay or straw bales that are stored away for winter food and bedding for farm animals.

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I collect sisal from our barn and from our farm neighbors and cut it into 1-inch-long pieces. I cook 2 pounds of sisal cuttings at a low boil for 3 hours in water mixed with . cup of soda ash or enough to achieve a pH level of 11. I rinse the fiber until the water runs clear and beat the cooked fiber in my 2-pound Reina beater. I fill the tub with 10 gallons of water and load the beater at the 40 setting. When I get about a quarter of the fiber into the beater, I take the roll down to the 3 setting and finish loading. This takes a total of 5 minutes. Once all of the fiber is in, I bring the roll down to 1, and check the water and pulp level so it reaches the 11.5-gallon line I marked in the tub with a Sharpie. I beat at the 1 setting for 30 minutes, then take the roll back up to 40 before adding 2 tablespoons of sizing. I let that run for a minute, then I introduce pigment. I check for pigment retention which is excellent with this fiber. If need be, I add about 1 teaspoon of prepared retention aid.