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WINTER 2007, Volume
22, Number 2: The Vatman's Shake and the Lure of
Papermaking History by Leonard N. Rosenband; Dongba
Paper (with sample) by Li Xueguang and Jane Ingram
Allen; Thirty-One Years of Field Research in Traditional
Hand Papermaking by Elaine Koretsky; Research as a Path
in Papermaking by Timothy Barrett; Understanding the
Scientific Mind by Wavell F. Cowan; "...And Nature Will
Work With You" by Eugénie Barron
(on Douglass Howell); Desert Journey: A Collaboration of
Art and Advocacy (with sample) by Marcia McClellan and
Katherine Nicholson; ON Mick Frederickson by Jane
M. Farmer. Reviews: Josep Asunción on Fujiwara Yuki;
Loreto D. Apilado on Jane Ingram Allen's Made in
Taiwan; Cathleen A. Baker on Elaine Koretsky's A
Tribute to Dard Hunter; Michelle Samour on Pulp
Function. |
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SUMMER 2007, Volume
22, Number 1: The Transmission of Hanji Culture to
Japan by Park Chi-sun; Washi into the Twenty-First
Century by Ibe Kyoko; What is Real Washi? A Conversation
between Kobayashi Yasuo and Yagihashi Shin; Observing
Variations in Japanese Papermaking Traditions, Tools,
and Techniques by Paul Denhoed (with samples); Japanese
Papers: A Return to Pre-IR Washi by Moriki Kayoko; The
Character of Washi Lies in its Varied Uses by Kume Yasuo;
The Unique Functions of Washi in Japanese Daily Life by
Lauren Pearlman Sugita; Somegami: Traditional Japanese
Techniques for Making Naturally Dyed Papers by Tatiana
Ginsberg (with sample); Japanese-Style Papermaking in
the West by Timothy Barrett. Reviews: Victņria Rabal on
Elena del Rivero; Winnie Radolan on Jacob Christian
Schäffer. |
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WINTER 2006, Volume
21, Number 2: Asian Paper in Works of Art: A
Comparative Fiber Analysis by Agnieszka Helman-Wazny;
Jenny Pinto and the Glow of Banana Fiber by Suhag
Shirodkar; Paper Samples: Drying Flax Paper by Helen
Hiebert; Fiber and Community Upliftment in South Africa
by Bronwyn G. Marshall; Serbia’s Fiber Traditions for
Hand Papermaking by Melissa Potter; Hanji Fashions:
Students Design with Traditional Korean Paper by
Marjorie A. Alexander (with sample); Telling the Story
of Mr. Whatman’s Paper Mill by Theresa Fairbanks Harris;
Material into Content: Pulp Painting Today by Jane
Glaubinger; Noted Exhibitions; Reviews: Dominique Nahas
on Kwang-young Chun; Pat Almonrode on Papermaking for
Printmakers; Melissa Potter on The History of Hand
Papermaking in the Philippines. |
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SUMMER 2006, Volume
21, Number 1... a special color issue celebrating our
20th anniversary: The Montgolfiers, Papermakers
Who Conquered the Skies by Marie-Hélčne Reynaud;
Washi at War: Japan’s WWII Balloon Bombs by Timothy
Barrett; Festival of the Fire Balloons by Elaine
Koretsky (with sample); Building and Flying Paper
Hot-Air Balloons by Brian Queen; The Journey of Byron
Kim’s Blue Sky Kite by Anne McKeown; Waves to Washi
to Wings: Traditional Japanese Paper in Contemporary
Kites by Scott Skinner; Divide Light, commissioned
kite by artist Lesley Dill for Hand Papermaking’s
20th Anniversary (with mini-kite tip-in); In Memoriam:
Alan Shields by Susan Gosin; Founders’ Conversation
with Amanda Degener and Michael Durgin. Reviews:
Mindell Dubansky on Ken Polinskie; Karen Searle on
Plane and Form at Minnesota Center for Book Arts. |
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WINTER 2005, Volume
20, Number 2: Paperiana, Intended and Otherwise: A
Survey of Handmade Paper Collections by Mina
Takahashi; Bamboo Paper Sample from Cai Jai Wu, China
by Elaine Koretsky; Reading the Paper: Context and
Interpretation in the Analysis of Paper by Peter
Bower; Cataloging Decorated Papers by Sidney Berger;
The Dard Hunter Digital Collection at the Univ. of
Utah Marriott Library by Madelyn Garrett; Teaching
with Paper: The Fogg Art Museum by Edward Saywell;
Shikibu Colored Gampi Paper Sample Used for a New
Etching Portfolio by Andrea Zittel; In Memoriam: Golda
Lewis by Susan Gosin; The Time Traveler's Wife: An
Interview with Audrey Niffenegger by Marilyn Sward.
Reviews: Helen Hiebert on Buzz Spector; David Marshall
on Pyramid Atlantic. |
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SUMMER 2005, Volume
20, Number 1: Material History: The Handmade Paper
Work of Dario Robleto by Lauren Ross; To draw a line
without actually drawing it: An Interview with Amanda
Guest by Elizabeth Finch; Handmade Paper Multiples in
"Chuck Close Prints: Process and
Collaboration" by Reena Jana; In Memoriam: Aiko
Nakane by Marilyn Sward & Chuck Izui. Reviews:
Susan Hagen on Winifred Lutz; Dominique Nahas on Linda
Cross, Abby Leigh, Leonardo Drew, and Jessica
Stockholder; Amanda Degener on The Complete Book of
Papermaking. |
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WINTER 2004, Volume 19, Number 2:
Papermakers in Japan: Changes after Twenty Years by
Betty Fiske with Hiromi Katayama; Library of Congress'
Endpaper Project 2004 by Lynn Kidder, Jesse Munn, and
Terry Boone; Paper and Water: A Guide for Conservators
by Gerhard Banik and Irene Brückle; Lacandon Maya
Bark Cloth by Jennie Frederick (with sample);
Everything I Want to Know about Papermaking Was
Developed in the Fifteenth Century by Jana Pullman;
Aging in Book Papers by Cathleen A. Baker. Review: A
Papermaker's Season. |
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SUMMER 2004, Volume 19, Number 1:
Political Paper by John Risseeuw, Eric Avery, Dorothy
Field, Gordon Fluke, and Robbin Ami Silverberg;
Chinese Handmade Paper--A Richly Varied Thing by Nancy
Norton Tomasko (with sample); Laura Anderson Barbata
and the Yanomami Indians of Venezuela by Stacey Lynch
Adnams (with sample); Paper Ergonomics: Easing the
Strain by Lynn Amlie. Review: Catherine Nash's
Classroom Papermaking videos. |
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WINTER 2003, Volume 18, Number 2: Interview
with Ellen Mears Kennedy by Bryan Ellison; Innovative
Printmaking on Handmade Paper by Eric Denker; Okra
Queen by Pepper Bec (with sample); Paper Pulp as
Scenic Texture by John Thigpen; Scaling the Walls:
Integrating Paper Sculpture with Music, Dance, and
Spoken Word by Pat Alexander and Ann McCutchan;
Amagansett Applied Arts by Susan Gosin. Review: Second
National Collegiate Handmade Paper Exhibition. |
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SUMMER 2003, Volume 18, Number 1:
An Invitation to Marble by Tom Leech; ArtFarm Grows
and Expands: An AmericCorps Experience by Helen
Stubblefield; Pulp Painting with Stencils by Lois
James (with sample); Earth Pigments in Papermaking by Catherine
Nash (with sample); Tsuguo Yanai by Anita Leverence; Diary of Khotan
Paper by Oguzhan Tugrul. Reviews: Traditional Paper
Sheet Formation Around the World, 1976-2002; On Paper:
Collaborations in Print and Pulp at MCA. |
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WINTER 2002, Volume 17, Number 2:
Telling Truths: Paper Garment as Metaphor by Erica
Spitzer Rasmussen; The Alchemy of Drypoint by Dorothy
Field; Living Museums of Papermaking in Italy, Part 2
by Lynn Sures; Hemp for Hand Papermaking by Helmut
Becker; Interview with John Stahl (with sample) by
Amanda Degener; Hildegard von Bingen’s “Circulus
Sapientiae by Claire Van Vliet and Katie MacGregor;
Landscapes in Paper by Beverly Sky, Meg Black, and
Bobbie Lippman; Drawing with Hung Fiber by Paul
Denhoed. Reviews: Contemporary American Paper Artists:
An Invitational Exhibition; Paper Before Print: The
History and Impact of Paper in the Islamic World. |
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SUMMER 2002, Volume 17, Number 1:
Headflaps and Bean Turners (Alison Knowles) by Eugenie
Barron; Taller Arte Papel Oaxaca by Pamela Scheinman;
Living Museums of Papermaking in Italy, Part 1 by Lynn
Sures; Kakishibu (persimmon juice) by Richard Flavin
(with sample); Papel: Likhang Kamay (contemporary
Philippine hand papermaking) by Loreto Apilado;
Interview with Marilyn Sward by Andrea Peterson;
Mildred Fischer: A Legacy by Margaret Rhein. Reviews:
Rags to Riches: 25 Years of Paper Art from Dieu Donné
Papermill. |
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Winter 2001, Volume 16, Number 2:
Interview with Tom Balbo by Bill Drendel; Hidden
Imagery: The Mystery of Watermarks by Helen Hiebert; A
Curious "Saint" Watermark on a Saxton Atlas
of c. 1590 by William Ravenhill; Tibetan Handicraft
Industry: A Growing Fair Trade Company by Jane M.
Farmer; The Colonial Roots of Crane & Co., Inc. by
Peter Hopkins; Outreach at Crow's Shadow by Roberta
Lavadour; Survey of Papermaking Programs in the United
States by Gail Deery & Susan Gosin; Reviews:
Making Waves in the Midwest: The Art of Asian Paper;
The Ergonomics of Hand Papermaking. |
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Summer 2001, Volume 16, Number 1... a
special, full-color issue celebrating our 15th
Anniversary: a way of being (on the work of
Winnifred Lutz) by Janet Koplos; The Road
Well-Traveled by Jane M. Farmer; The Charters of
Freedom: Support Paper for the Re-encasement Project
by Lynn Amlie; The Japan Paper Company by Judith
Walsh; Seventeen Selected Artists. |
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Winter 2000, Volume 15, Number 2:
Interview with Lesley Dill by Arlene Raven; Papermaking
for Origami Art by Michael LaFosse; A Printmaker's Return
by Michael Durgin; Euraba Paper Dreaming by Paul West;
La Vida es Sueno by Sally Duback; John Mason's
Initiation by Patricia Scott; Two Book Arts Centers
by Catherine Lundorff and Steve Hendricks; In Brief:
Papermaking and Book Arts at Loughborough by Karen Legg;
Reviews: By His Labor; The Papermaker's Companion; Paper
Trail. |
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SUMMER 2000, Volume 15, Number 1:
Wondering Out Loud by Michelle Samour; WomanCraft Papers
by Kate Martinson; Drawing with Mulberry by Jennie Frederick;
Paper Art Village Project by Jane Ingram Allen; Reviews:
Paper From Plants; Fine Papers at the Oxford University
Press; The First National Collegiate Handmade Paper
Art Show. |
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WINTER 1999, Volume 14, Number 2:
Growing Wild: Unexpected Journeys with Nature by Judy
Hoffman; Ich bin ein Berliner (with sample) by Gangolf
Ulbricht; An Interview with Karen Stahlecker by Catherine
Nash; A Visit to Poestenkill by Marcia Widenor; Economic
Development in Ecuador (with sample) by Gail Deery and
Mina Takahashi; Reaching Back, Moving Forward: Photos
on Handmade Paper by John Risseeuw; Play, Paper Factory
by Amanda Degener; In Brief: Looking at Paper: evidence
and interpretation; In Memory of Nell Meldahl; Reviews:
Rambling Through my Garden of Fiber and Dye Plants;
Gift of Conquerors: Hand Papermaking in India. |
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SUMMER 1999, Volume 14, Number 1:
Amare, Amator, Amateur: For Love of Paper by Mary Heebner;
Tesuri-Kako-ho: Japanese Hand Burnished Watermarking
by Lindsay J. Nakashima and Jocelyn Webb; A Rich Adventure
(with sample) by Mark Lander; Itajime: Fold-and-Clamp
Coloring (with sample) by Susan Kristoferson; Building
a Beater by Lee Cooper; Reviews: The Book of Fine Paper;
Batterers; Papermaking with Plants. |
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WINTER 1998, Volume 13, Number 2:
The Robert C. Williams American Museum of Papermaking
by Joe Sanders; Material and Ideas: Robbin Ami Silverberg
by Carole Naggar; Charting a New Course in Book Studies
by Hillary Gardner; An Interview with Walter Ruprecht
(with sample) by Carol Becker; Sprayed Pulp as a Sculptural
Medium by Joyce Schutter; Reviews: Chinese Paper Offerings;
Paper: The State of Connection. |
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SUMMER 1998, Volume 13, Number 1:
Pina Shifu (with samples) by Asao Shimura; Joe Wilfer:
Collaborations in Paper and Printmaking by Jennifer
Bernstein; An Interview with Walter Hamady by Bill Drendel;
Lynn Forgach: A Life in Paper by Pat Almonrode; Complex
Watermarking with Patterned Shas in Japanese Handmade
Papers (with sample) by Jana Pullman; De Middelste Molen:
Traditional Dutch Papermaking in Gelderland by Michael
Fallon; Idin Paper Mill by Joseph Roberson; Review:
Almost Paper. |
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WINTER 1997, Volume 12, Number 2:
Experiments in Paper: Dard HunterÕs Mill at Marlborough-on-Hudson
by Cathleen A. Baker; RCIPP, A Center for Collaborations
by Rose Gonnella; Kelmscott at Oxford: A Specimen of
Hand Papermaking at the End of an Era (with sample)
by John Bidwell; Three Summer Arts and Craft Schools
by Marilyn Sward, Beck Whitehead, and Mina Takahashi;
A Unique Commercial Installation by Sally Duback; Reviews:
Off the Deckle Edge, Handcrafted Paper and Paper Products
made from Indigenous Plant Fibers. |
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SUMMER 1997, Volume 12, Number 1:
A Journey from Westbury to Chillicothe by Laurence Barker;
An Interview with Therese Zemlin by Michael Durgin;
Cave Paper: Notes from the Underground (with sample)
by Jody Williams; The State of the Art: Papermaking
in Australia by Diana Klaosen; Hath Kagaz: Hand Papermaking
in India by Simon Barcham Green. |
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WINTER 1996, Volume 11, Number 2:
Renewal in Jordan by Susan Fateh; Retracing TibetÕs
Paper Road (with samples) by Jane M. Farmer; Aesthetics
and the Future of the Craft by Timothy Barrett; Pre-
and Post-Industrial Handmade Book Papers by Jesse Munn,
Terry Boone Wallis, Mary Wootton, and Barbara Meier
Husby; Aspects of Importing by Vera Freeman, Chuck Izui,
AimŽe Kligman, Nigel Macfarlane, and Alexandra Soteriou;
Hanji: KoreaÕs Traditional Paper (with sample) by Lynn
Amlie; Jim Rumford and the Manoa Press by Kathleen Rowley. |
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SUMMER 1996, Volume 11, Number 1:
A Residency Runs Through It... by Alex Vance; An Interview
with Lynn Sures by Michael Durgin; Douglass Morse HowellÕs
Green Box by Kathleen Doherty; Computer-Generated Watermarks
(with sample) by Katie MacGregor, Bernie Vinzani, and
Elliot Fishbein; The Uncertain Fate of Amate Paper by
Carol Tyroler; Papermaking at the Duntog: Report from
the Philippines by Jane Ingram Allen; Reviews: A Hand
PapermakerÕs Sourcebook; Art Paper/Art Books. |
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WINTER 1995, Volume 10, Number 2:
The History of Japanese Crushed Paper (with samples)
by Dan Fletcher; The Interrupted Tradition of Indian
Papermaking by Dorothy Field; A Trip to Korea by Eve
Reid; A Tent of the Winter Prairie by Marcia Widenor;
Tree-Free Paper (with sample) by John Stahl; The Origins
of Paper by Li Fang; An Interview with Bart Wasserman
by Susan Gosin; The Art of Mona Waterhouse by Emily
Gaul; Reviews: Cover to Cover, Holt Mill Papers. |
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SOLD OUT...SUMMER 1995, Volume 10,
Number 1: Autoparticulates by Steven Brower; Discovery
on the "Stream of Life" by Gordon Fluke; Inheritance:
The Past and Future of Paper Decoration (with sample)
by Sandra Kroupa; Hand Papermaking in Northern Vietnam
by Jeffrey S. Peachy; A PapermakerÕs Challenge (with
sample) by Marjorie A. Alexander; Body-Earth Project
by Marcia Miller Gross; A Research Trip to Japan by
Margaret Prentice; Paper in New York by Kathleen Doherty;
Reviews: Teaching Hand Papermaking: A Classroom Guide,
Papermaking (videotapes). |
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SOLD OUT...WINTER 1994, Volume 9, Number
2: A Collaboration in Handmade Paper by Krista Spieler;
Karen StahleckerÕs Paper Reveries by C. E. Licka; Katsu
Tadahiko, 1947-1987 (with samples) by Timothy Barrett;
Paper in Chicago by Michael Durgin; Hand Papermaking
in a Detention Camp in Mauritius by Inacio Steinhardt;
Amate Papermaking in San Pablito (with sample) by Carol
Tyroler, Reviews: WSW XX Years - A Retrospective, PaperBooks
at MCBA, A Collection of Paper: Samples from Hand Papermills
in the United States of America, An Essay on Paper. |
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SOLD OUT...SUMMER 1994, Volume 9, Number
1: Paper as Sculpture by L. Robin Rice; Cartiere
Enrico Magnani by Linda Samson; Interview with Neal
Bonham (with sample) by Elspeth Pope; Rice Paper Caper
(with sample) by Ken Grabowski; Papermaking Moulds by
Simon Barcham Green; Douglass Morse Howell by Eugenie
Barron; Reviews: Peter & Donna Thomas Books, A Paper
Journey. |
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WINTER 1993, Volume 8, Number 2:
Pi–a Story by Asao Shimura; Conversations with M.A.
McKellar Schwarcz (with sample) by Marilyn Sward; Papermaking
in India (with sample) by Nigel Macfarlane; Watermarks:
Making Use of the Evidence by Brett Charbeneau; Oregon
Seaweed Paper (with sample) by Marilyn Wold; 1994 Paper
Conference in Montreal by Leslie Luebbers; Review: The
Art & Craft of Papermaking. |
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SUMMER 1993, Volume 8, Number 1:
The Paper Show by Theresa Morin; Interview with Rick
Hungerford (with sample) by Timothy Barrett; Pyramid
Atlantic by Joann Moser; MacGregor & Vinzani (with sample)
by Michael Alpert; Mysteries from India & Pakistan by
Alexandra Soteriou; Reviews: 1992 FDHPM Meeting, Kami
Ō89, Which Paper?, Out of the Mountains. |
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WINTER 1992, Volume 7, Number 2:
Spirituality and Ritual in Paper Art by Krista L. Spieler;
Tradition Survives in Rajasthan by Simon Barcham Green;
Papermaking in India, Bangladesh and the Himalayas:
An Overview by Dorothy Field; Nepalese Paper Sample;
Strengthening the Paper Industry in India by Ajay Kumar;
Sri Aurobindo Ashram by Kartikeya Anurakta; The Edible
Drawings of John Cage by Bernie Toale; In Memoriam,
Joyce Schmidt by Nellie Stavisky; Reviews: The Goldbeaters
of Mandalay (with sample) , Tin Can Papermaking, Making
Your Own Paper, Papermaking for Basketry and Other Crafts,
Papermaking at the Duntog. |
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SUMMER 1992, Volume 7, Number 1:
An Interview with Diane Katsiaficas by Mary Hark; Walls
Within: A Handmade Paper Installation by Lois James;
Celebrating the Bill of Rights (with sample) by Gordon
Fluke; An Evolution of Embossed Paper by Margaret Ahrens
Sahlstrand; Collagraph Paper (sample) by Mary Slowinski
& Margaret Ahrens Sahlstrand; Book Arts at the University
of Alabama by Steve Miller; Book Arts and the Library
by Sandra Kroupa; Reviews: Hand Papermaking Video Series,
Book Arts in the USA: A VHS Video Catalog, Domestic
Science. |
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WINTER 1991, Volume 6, Number 2:
Collaborations in Paper at SWCC by Beck Whitehead; Tibetan
Manuscripts in Newark by Valrae Reynolds; Rongbuk Recycled
Paper by Tom Leech; Fifteen Years at Dieu DonnŽ Papermill
by Mindell Dubansky; Azure Paper from Dieu DonnŽ Papermill
(sample) by Mina Takahashi; Fiber Separation for Nagashizuki
Paper by Timothy Barrett; Stan ShetkaÕs Recycled Paper
Art by Judy Arginteanu; Reviews: Early American Papermaking,
From Fiber to Paper, Non-Adhesive Binding, The Mark
of the Maker, Papermaking in the Classroom. |
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SUMMER 1991, Volume 6, Number 1:
Sculptural Paper by Roxane Orgill; William Rittenhouse
by Henk Voorn; Photo/Paper: Five Easy Processes by Marilyn
Sward; now I am remembering this, too (with sample)
by Cyndi Crow; Calligraphy in Paper by Derick Pao; The
Construction of Vacuum Tables by Paul Robbert; Reviews:
Beater Builders of North America, Making Paper, Early
vs. Modern Handmade Paper, On Paper: The History of
an Art. |
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WINTER 1990, Volume 5, Number 2:
Handmade Paper with Colored Pulps, Created for the Printed
Image by Margaret Prentice; ConnecticutÕs Papermaking
Treasure by William Glenn; A Tour of WomenÕs Studio
Workshop by Jody Williams; WomenÕs Studio Workshop (sample)
by Tatana Kellner; Paper as Book-Object by Armand Calders;
Reviews: Peter and Donna Thomas books, 3rd International
Biennial of Paper Art, Transformations in Paper. |
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SUMMER 1990, Volume 5, Number 1:
Earthwork: Skins and Skeletons by Kathryn Lipke; Hand
Papermaking in China by Judith Sugarman; The CreationistÕs
Theory of Paper Airplanes by Dolph Smith; Spirit Money
from Thailand (with sample) by Dorothy Field; Cookie
Cutter Papermaking by Judith Arrowood & Katherine Brewes;
Rice Straw Paper by Elaine & Donna Koretsky. |
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WINTER 1989, Volume 4, Number 2:
Old Quilts: Poetry and Paperwork by Cheryl Miller; Some
Notes on Chinese Papermaking by James Rumford; An Interview
with Helmut Becker; Yasuo Kobayashi (with sample) by
Izhar Neumann; The Books of Cannabis Press by Bryan
R. Johnson; Asao Shimura by Donna Koretsky. |
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SUMMER 1989, Volume 4,
Number 1: The University of Iowa Center for the
Book by Annie Wilcox; Experiments with Paper Casting
by Jody Williams; Alabama Kozo (with samples) by Glenn
House; Grain by Suzanne Ferris. Review: Papierkunst. |
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WINTER 1988, Volume 3, Number 2:
Japanese Wood-Block Printing by Richard Flavin; An American
in Berlin by Ingrid Evans; Fermented Raw Flax (with
sample) by Timothy Barrett; The Totem Series by Otavio
Roth; Bast Fiber Stampers (with plans) by Lee S. McDonald.
Review: Paperthick. |
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SUMMER 1988, Volume 3, Number 1:
Interview with Laurence Barker by John Gerard; Kenaf
as Fiber for Handmade Paper by Todd Martin; Western
Handmade Book Paper by Bonnie Stahlecker; Paper with
Flowers (with sample) by C. F. Hill; A Survey of Papermaking
in U.S. Colleges by Carol Herd; Paste-Patterned Paper
(with sample) by Susan Huhn; "Do-It-Yourself" Press
by Kathy Crump. |
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WINTER 1987, Volume 2, Number 2:
Letter to Hand Papermaking by Simon Barcham Green; Paper
Processes for Large Sculpture by Kathleen Rowley; Mitnan
and Hand Papermaking in Israel (with samples) by Joyce
Schmidt & Nellie Stavisky; Etching with Handmade Paper
by Peter Gentenaar; Magnolia Editions Papermill & Printshop
by Rod Smith; Papermakers of Australia by Kathy Nix
& Penny Carey-Wells. |
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SUMMER 1987, Volume 2, Number 1:
Paperworks: The State of the Art by Jane M. Farmer;
Kim Yeong Yon: A Korean Papermaker by Dorothy Field;
Twinrocker (with sample) by Leonard Cox; Western Mold
Making by Tim Moore; Drying Box for Printers and Papermakers
by Claire Van Vliet. Review: Chinese Handmade Paper.
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WINTER 1986, Volume 1, Number 2:
Monotypes and Handmade Paper by Helen C. Frederick;
On Damp Printing by Neal Bonham & Suzanne Ferris; Tosa
Tengujo-Shi (with sample) by Asao Shimura; Shifu: Fine
Handmade Paper Cloth by Susan Byrd. |
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SPRING 1986, Volume 1, Number 1:
Papermaking Today in Tibet and China by Elaine Koretsky;
New Developments in Nagashizuki by Timothy Barrett;
The Renaissance of Linen/Flax Paper by Jesse Munn; Linen
Paper Sample by Eugenie Barron; Technical Watercolor
Studies with Handmade Paper by Douglass Morse Howell;
Casting to Acknowledge the Nature of Paper by Winifred
Lutz. |
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Back issues are $20 each. Photocopies of sold out issues available for $10. Add $4 postage for 1-2
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BACK ISSUE SAMPLER: Six selected back issues plus
an index (1986-92) for $50 postpaid in the US (add
$35 postage outside the US). The six issues
are Winter 1986, Summer 1987, and both issues from
1990 and 1991.
HAND PAPERMAKING, P.O. Box 1070, Beltsville, MD
20704-1070, (800) 821-6604, fax (301) 220-2394
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